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Architects and critics gathered at a carefully termed memorial tribute at the Metropolitan Museum of Art on Tuesday, proving that the doyenne of architectural criticism (who long-stated that she did not want a memorial) still holds the industry in the palm of her hand.
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The centerpiece of an emerging Central Business District in the Chinese city of Dalian, Coop Himmelb(l)au's new conference center brings parametric design to the shore of Korea Bay.
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Mario Bellini and Rudy Ricciotti’s pavilion brings the era of digital design to this French landmark. The controversy has been conspicuous in its absence.
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A new street dedicated to Ray Eames on the celebration of her 100th birthday is a recent and much-needed effort to recognize her roles in the Eames partnership.
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Marianne McKenna, founding partner of Kuwabara Payne McKenna Blumberg, was invested as an Officer of the Order of Canada, one of the nation's highest honors.
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Joseph Giovannini visits the famed London-based architect's new museum at Michigan State University in East Lansing, Mich., which opened to the public last month.
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Zaha Hadid’s new municipal building adds to the architectural renaissance of Montpellier, France, and draws together three public agencies under a single concrete, glass, and gold-louvered roof.
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China's Wang Shu delivers an almost-manifesto in his acceptance speech for the 2012 Pritzker Prize, rebelling against top-down architecture.
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Architectural historian Victoria Newhouse's new book studies how sites for sound have and have not changed compared to their historical ancestors in the last few decades.
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Guangzhou Opera House, China/Zaha Hadid Architects