This is the second in a three-part series about the most important light-managing medium, glass. Part one, which appeared in the July/Aug 2007 issue, examined conventional building glass as it affects daylight and daylighting. Here, part two, discusses glass as a medium for lighting and lighting effects.
This is the first in a three-part series about the most important light-managing medium, glass. Part one examines conventional building glass, particularly as it affects daylight and daylighting; part two will look into glass as a medium for lighting and lighting effects; and part three will explore the artistic opportunities of some new and exciting glass types.
This is the first in a three-part series about the most important light-managing medium, glass. Part one examines conventional building glass, particularly as it affects daylight and daylighting; part two will look into glass as a medium for lighting and lighting effects; and part three will explore the artistic opportunities of some new and exciting glass types.
Artistic and special effects lighting aside, almost all architectural lighting uses white light.
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