The set-to-be-demolished museum on W 53rd Street, designed by Tod Williams Billie Tsien Architects, as captured by Esto photographers just after its opening in 2001.
The Folk Art Museum's 85-foot façade, designed specifical…
The Folk Art Museum's 85-foot façade, designed specifically to make '
a quiet statement of independence' from MoMA, which surrounds it on three sides,
may have led to its undoing, if MoMA director Glenn D. Lowry is to be believed.
Visitors could choose different paths to experience the artworks…
Visitors could choose different paths to experience the artworks displayed within the museum, which packed eight levels into a four-story structure on West 53rd Street; two levels, which included an auditorium and museum offices, were below grade.
"The American Folk Art Museum is an idiosyncratic home for …
"The American Folk Art Museum is an idiosyncratic home for idiosyncratic art."—Tod Williams Billie Tsien Architects, from
twbta.com.
The collection of the American Folk Art Museum includes internat…
The collection of the American Folk Art Museum includes international folk art by self-taught artists to cultivate aesthetic appreciation of the genre.
Built-in niches displayed artifacts from the museum's permanent …
Built-in niches displayed artifacts from the museum's permanent collection, framing pieces in unexpected locations throughout the building.
Breaking up the museum floors into multiple levels allowed for a…
Breaking up the museum floors into multiple levels allowed for a variety of exhibition spaces.
Openings between floors allow light to pass from the upper level…
Openings between floors allow light to pass from the upper level skylights to the galleries below.
Ciruclation paths and space use fill the American Folk Art Museu…
Ciruclation paths and space use fill the American Folk Art Museum's former home with complexity despite its diminutive stature in the context of New York.
"Sculptural in form, the façade recalls an abstracte…
"Sculptural in form, the façade recalls an abstracted open hand. The panels fold inward to create a faceted plan. The façade catches the glow of the rising and setting sun, sublty shifrting with the weather and the seasosn."—Tod Williams Billie Tsien Architects, from
twbta.com.
An outcry of despair reverberated through the design world last night at the news that New York’s Museum of Modern Art (MoMA) has decided to tear down the Tod Williams Billie Tsien Architects–designed former American Folk Art Museum building. For many, the New York Times article announcing the decision may as well have been an obituary: “For MoMA, Beloved Building Means an Obstacle.” A material maverick amid the glass-and-steel monotony of Midtown, and a paragon of craftsmanship, the former Folk Art Museum is lost all too soon. The building, 12, is survived by its two loving architects and a cadre of devoted supporters.
Many hope that MoMA may yet preserve the structure as a crown jewel in its permanent collection of architectural artifacts, but its future looks dim, with demolition slated to occur before the end of the year. It has been closed to the public since the eponymous institution sold the building to MoMA in 2011, but the immaculately detailed, pleated bronze-and-copper façade is well worth revisiting before it comes down. And for those who didn’t make it into the interior when it was open, the grand central staircase and galleries of the eight-story building will be preserved in these photos from Esto’s archive, which were captured by photographer Peter Mauss shortly after its 2001 opening.
To see more of Esto’s collection online, please visit Esto.com, or visit ARCHITECT‘s collection of Esto Galleries.
Deane Madsen, Assoc. AIA, LEED Green Associate, is the former associate design editor for ARCHITECT, and still covers architecture and design in Washington, D.C. He earned his M.Arch. at UCLA's Department of Architecture and Urban Design. Follow Deane on Twitter at @deane_madsen.
