Pedro Gadanho's first MoMA show highlights architecture's political side. But, writes Mark Lamster, his attempt to promote curation as the next criticism is hampered by a less than accessible presentation. More
Pedro Gadanho's first MoMA show highlights architecture's political side. But, writes Mark Lamster, his attempt to promote curation as the next criticism is hampered by a less than accessible presentation. More
Koolhaas and Obrist's history of how postwar Japanese Metabolists looked to the future of architecture. More
Koolhaas and Obrist's history of how postwar Japanese Metabolists looked to the future of architecture. More