Mastering Sidelight, Part Two

Mastering Sidelight, Part Two

A 3-D view analysis of an urban site. Primary view corridors are mapped along with overshadowing buildings, prevailing winds, and the annual sun path, allowing evaluation of the viewshed in context of other considerations present.

Mastering Sidelight, Part Two

In each of these three rooms all window apertures have the same effective aperture.

Mastering Sidelight, Part Two

In each of these three rooms all window apertures have the same effective aperture.

Mastering Sidelight, Part Two

To balance the separate functions of daylight and view, the daylight window is positioned above eye-level, and the view window is centered at eye-level and below.

Mastering Sidelight, Part Two

A 2-D view analysis of the same site, however, equidistant projection is used to map onto a flat plane to simplify its reading.

Mastering Sidelight, Part Two

This generic room illustrates the split window strategy, which separates and balances view and daylight function.

Mastering Sidelight, Part Two

In this plan view, an occupant looks through a 20 percent WWR placed 25 feet away and another wall twice the distance with a 35 percent WWR, yet sees an image with the same apparent size.

Mastering Sidelight, Part Two

An example, on the right, of low-VT glazing used for a high luminance partly cloudy sky and light building surface. On the left is a medium-VT glazing used for a low luminance overcast sky and dark building surface.

Mastering Sidelight, Part Two

Window wall with variable height aperture framing view of the sky

Mastering Sidelight, Part Two

Window wall with variable height aperture framing view of the horizon.

Mastering Sidelight, Part Two

Window wall with variable height aperture framing view of the earth (6C).

Mastering Sidelight, Part Two

In each of these three rooms all window apertures have the same effective aperture.

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