Project Details
- Project Name
- Theater on the Parade
- Location
- Netherlands
- Architect
- UNStudio
- Client/Owner
- City of Den Bosch
- Project Types
-
Cultural ,Entertainment
- Project Scope
- New Construction
- Shared by
- Selin Ashaboglu
- Team
- Architect: Ben van Berkel, Hon. FAIA
- Project Status
- Concept Proposal
Project Description
FROM THE ARCHITECTS:
Following a competition in which the inhabitants of Den
Bosch were invited to vote for one of two finalists, UNStudio’s design for the
new city centre theatre was selected for realisation, having received 57% of
the votes. In total 2681 people (over the age of 12) cast a valid vote. In
addition, the municipality conducted a survey among 5,000 people, while around
400 residents in the immediate area and other stakeholders received an
invitation to vote.
The Theatre on the Parade is located in the heart of Den
Bosch, adjacent to a large and lively public square (‘the Parade’) and near to
the St. John’s Cathedral. Alongside essential functional, regulatory and
sustainable considerations, the location of the theatre calls for a highly
contextual approach, however the architecture of UNStudio’s design places equal
emphasis on the overall experience of the theatergoer and the public qualities
of the project.
Ben van Berkel: “Ideas
surrounding sensation and cultural expression form the conceptual basis of the design.
The massing of the building is simultaneously single and multiple: the shifting
displacement of the volumes suggests separation and fragmentation, while moments
of intersection fuse the volumes and result in an autonomous, single object
within the urban fabric.”
Reminiscent of geological formations, the composition of
the volumes thwarts expectations of alignment and order, thereby arresting the
gaze and accentuating perceptions of volumetric and spatial arrangements. The
composition of offset yet interrelated and connected parts thus avoids an image
of seamless fusion, instead alluding to the dynamics and drama of the theatre
experience.
Contextual
considerations
The relationship
with the surrounding buildings and the adjacent public square (‘the
Parade’) was an essential
consideration in the design. In order to cause as little hindrance as possible to immediate
neighbours, the two auditoria are designed as enclosed volumes clad in natural
stone, while the facades of the public spaces are constructed from glass, so
that the theatre building and the public square seamlessly merge and visitors
become part of the show.
The four volumes of the theatre frame the views to include the
nearby St. John’s Cathedral and the Parade Square. The volume housing the
larger of the two auditoria is partially sunken below ground, thereby ensuring
that the building remains low and that sightlines to the St. John’s Cathedral
are maintained. The massing additionally results in a compact building with an
optimised volume and integrated stage towers, while a terrace on the third
floor offers visitors further unobscured views of the city.
Interior and Vertical Foyer
The
floor of the public foyer runs level to the ‘Parade’, enabling the theatre to
form a natural extension of the public square. Guests can directly access the
small auditorium via the theatre café, while the elevators and stairs
take visitors to their chosen destination within the theatre.
The main stairway with glass balustrades forms the heart of the vertical
foyer, which extends over four levels and is 19 meters in height. The vertical
Foyer forms the column-free central space of the building around which all
circulation takes place, thereby creating a dynamic movement of people through all
levels of the theatre.
Ben van Berkel: “The various
levels of the vertical foyer can be utilised simultaneously for a
variety of commercial functions. This enables flexible programming
for public and privates events, shows and conferences. Such
additional programming adds liveliness and versatility to the theatre building and
extends its public function.”
Auditoria
The
walls of the main auditorium, which seats 950, are clad with wooden lamellas
which serve to improve the acoustics, while the floor - slightly recessed below
ground level - provides a natural buffer to noise hindrance for the immediate
surroundings. Similarly, if a number of events are taking place simultaneously,
these do not interfere with one another.
The smaller auditorium, the ‘Paradezaal’ which seats 420, houses a flexible
stage and retractable seating, enabling a variety of performance types: from
intimate theatre pieces to celebratory events and shows which can use the
complete space without seating.
During public events on the Parade Square - such as the traditional annual
carnival - the doors to the theatre café can be opened and the internal sliding
wall moved, thereby connecting the small auditorium with the public space and
leading the revelers directly into the heart of the theatre.
Behind the scenes
The
logistics for the theatre are carried out entirely underground by means of an
innovative system that results in no inconvenience or interruption to the
Parade Square. Trucks load and unload in the cellar, while goods are
transported internally via elevators. The changing rooms and hospitality
service spaces are also located in the cellar. Catering suppliers make use of a
service road on the west side of the theatre and each level of the foyer houses
a catering outlet which is served by a service lift from the kitchen in the
basement.
After the summer, work on the design will continue and the planning
procedure will begin. Start of construction is scheduled for 2017 and the new theatre is
expected to be realised in 2020.