Washington, D.C.’s National Cherry Blossom Festival, an annual tradition, marks the true arrival of spring in the city. Tourists and residents alike flock to the Tidal Basin to observe the 3,000 sakura trees gifted to the United States in 1912 by the mayor of Tokyo. This year, the Freer and Sackler Galleries, part of the Smithsonian, commissioned an interactive installation—“Lantern Field,” designed and run by students and faculty from the Virginia Tech Institute for Creativity, Arts, and Technology—which ran over the course of three days.
The public participated in a day-long workshop where they created lanterns by folding mulberry paper, which is commonly used in Japanese shoji screens. The paper lanterns were then hung from bamboo poles (so as not to interfere with the structural integrity of the museum’s historic building status) in the 12-foot-wide by 70-foot-long loggia facing the museum’s courtyard.
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Jeff Goldberg/ESTO
Washington, D.C.’s National Cherry Blossom Festival, an annual…
Washington, D.C.’s National Cherry Blossom Festival, an annual tradition, marks the true arrival of spring in the city. This year, the Freer and Sackler Galleries, part of the Smithsonian, commissioned an interactive installation—“Lantern Field,” designed and run by students and faculty from the Virginia Tech Institute for Creativity, Arts, and Technology—which ran over the course of three days.
Jeff Goldberg/ESTO
The public participated in a day-long workshop where they create…
The public participated in a day-long workshop where they created lanterns by folding mulberry paper, which is commonly used in Japanese shoji screens.
Jeff Goldberg/ESTO
Participant making paper lanterns during the day-long workshop.
Aki Ishida Architect
Section through the loggia showing the arrangement of luminaires…
Section through the loggia showing the arrangement of luminaires, speakers, and sensors in relation to the paper lantern installation.
Jeff Goldberg/ESTO
The paper lanterns were hung from bamboo poles (so as not to int…
The paper lanterns were hung from bamboo poles (so as not to interfere with the structural integrity of the museum’s historic building status) in the 12-foot-wide by 70-foot-long loggia facing the museum’s courtyard.
Jeff Goldberg/ESTO
During the day, the paper lanterns are illuminated by direct day…
During the day, the paper lanterns are illuminated by direct daylight and help reflect the light on the loggia's wall and ceiling surfaces.
Jeff Goldberg/ESTO
A close up view of the lanterns during the day.
Jeff Goldberg/ESTO
Workshop participants help to hang the paper lanterns.
Jeff Goldberg/ESTO
The Virginia Tech team wanted to create a highly interactive and…
The Virginia Tech team wanted to create a highly interactive and multisensory experience. To that end, they positioned a combination of linear, color-changing LED fixtures and ultrasonic sensors along the loggia’s east wall, and a series of white LED spotlights at the base of the loggia arches.
Jeff Goldberg/ESTO
The combination of warm-white LED fixtures and RGB LED linear ar…
The combination of warm-white LED fixtures and RGB LED linear arrays highlight the lanterns creating a rich texture of illumination.
Jeff Goldberg/ESTO
As the sensors detected visitors in the space, the luminaires an…
As the sensors detected visitors in the space, the luminaires and speakers activated, projecting reflected light onto the paper lanterns above. The more people who were present, the deeper and richer the color, hue, and tone that they experienced.
Jeff Goldberg/ESTO
Once the installation was complete, it pulsed with a spectrum of…
Once the installation was complete, it pulsed with a spectrum of sound and color—from cool white to deep magenta, encouraging guests to explore the space and activate the light and sound around them.
The Virginia Tech team wanted to create a highly interactive and multisensory experience. To that end, they positioned a combination of linear, color-changing LED fixtures and ultrasonic sensors along the loggia’s east wall, and a series of white LED spotlights at the base of the loggia arches. As the sensors detected visitors in the space, the luminaires and speakers would activate, projecting reflected light onto the paper lanterns above. The more people who were present, the deeper and richer the color, hue, and tone that they experienced. Once the installation was complete, it pulsed with a spectrum of sound and color—from cool white to deep magenta, encouraging guests to explore the space and activate the light and sound around them.
Details Project: Lantern Field, Washington, D.C. •
Entrant: Virginia Tech Institute for Creativity, Arts, and Technology, Blacksburg, Va. •
Owner/Clients: National Cherry Blossom Festival and Smithsonian: Freer|Sackler, The Smithsonian’s Museums of Asian Art, Washington D.C. •
Architect: Aki Ishida Architect with Virginia Tech, Blacksburg, Va. •
Lighting Designer: Virginia Tech Institute for Creativity, Arts, and Technology, Blacksburg, Va.
Team Members: Aki Ishida and Brennon Bortz •
Photographer: Jeff Goldberg/ESTO •
Project Size: 820 square feet •
Project Cost: Withheld •
Lighting Cost: $30,600 •
Watts per Square Foot: 0.68W •
CodeCompliance: Not Applicable •
Manufacturer: Philips Color Kinetics
Jury Comments: An engaging backdrop of light, color, and sound for festival participants. • The installation and accompanying public programs, including a lantern-making workshop, provides the public with an introduction to light and lighting, and area of design they might not have been previously familiar with.
Deane Madsen, Assoc. AIA, LEED Green Associate, is the former associate design editor for ARCHITECT, and still covers architecture and design in Washington, D.C. He earned his M.Arch. at UCLA's Department of Architecture and Urban Design. Follow Deane on Twitter at @deane_madsen.