Alessandro Laporta

Nefertari wasn’t a reigning queen of Egypt, like Cleopatra and Hatshepsut. But as the favorite wife (among eight) of an obsessive builder, Pharaoh Ramesses II, she did inspire incredible art and architecture. There’s the rock-cut Temple of Hathor and Nefertari (pictured above) at Abu Simbel, as well as a gorgeous painted tomb in the Valley of the Queens. An exhibition about Nefertari, at the Nelson-Atkins in Kansas City, Mo., includes personal effects from the tomb, such as delicate woven-fiber sandals and a fine pair of knees—the only remnant of her mummy that archaeologists found. Queen Nefertari: Eternal Egypt will be on view through March 29.

Statue of the Goddess Mut, New Kingdom, 18th–20th Dynasties (1550–1070 BC), limestone. Museo Egizio, Turin
Statue of the Goddess Mut, New Kingdom, 18th–20th Dynasties (1550–1070 BC), limestone. Museo Egizio, Turin
Stela of Nahki and His Wife Nefertari (detail), New Kingdom, 18th–20th Dynasties (1550–1070 BC), sandstone bas-relief. Museo Egizio, Turin
Stela of Nahki and His Wife Nefertari (detail), New Kingdom, 18th–20th Dynasties (1550–1070 BC), sandstone bas-relief. Museo Egizio, Turin
Stela of Karo (detail), New Kingdom, 19th Dynasty, Ramesses II (1279–1213 BC), limestone bas-relief. Museo Egizio, Turin
Stela of Karo (detail), New Kingdom, 19th Dynasty, Ramesses II (1279–1213 BC), limestone bas-relief. Museo Egizio, Turin

This article originally appears in the February 2020 issue of ARCHITECT, with the title “Lady of the Two Lands.”