Project Details
- Project Name
- Restaurant in Los Angeles
- Location
- California
- Architect
- The Los Angeles Design Group
- Project Types
- Commercial
- Project Scope
- New Construction
- Size
- 3,700 sq. feet
- Shared by
- Hanley Wood
- Project Status
- On the Boards/In Progress
2018 P/A Awards
Honorable Mention
“I love that it is so compelling in plan, with the floating volumes, and in section, with the tectonics of the masonry. It creates some really beautiful spaces that I want to inhabit.” —juror Ingalill Wahlroos-Ritter, AIA
It takes no small amount of daring to throw 1960s glam, 1990s grit, and today’s eco-friendly sensibility together into a single architectural medley. Yet that’s what the Los Angeles Design Group (the LADG) have done in their scheme for a Restaurant in Los Angeles.
An unusual speculative venture by a local developer intended for an anonymous restaurant client, the building’s primary structural system is a sequence of barrel vaults that intersect to form a miniature cavern, savoring slightly of the Italian Baroque. This is no coincidence, as the LADG has researched the Baroque before, but here that period appears through the filter of another: the brand of midcentury design, especially popular in Southern California, that often deployed similar historical motifs to spice up Modernism with a hint of romance.
Programmed as the main dining space, the vaulted volume sits atop a ground floor of a remarkably different character. There, a street front of metal fencing and flat walls alternates with sculptural “loaves,” or richly textured stone curves which cut into the façade—a collision of geometries and materialities that calls to mind the work of local heroes like Eric Owen Moss, FAIA, and Frank Gehry, FAIA. And yet all this formal gamesmanship does not come at the expense of functional rigor, nor does nostalgia get the better of the designers’ innovative instincts. The loaves actually contain the service areas for the kitchen above, and the insulating concrete vaults of the dining room allow for heating and cooling that’s largely passive. There’s a glass screen that encloses the space, but it can be folded aside to allow air to circulate on warmer days. Which, of course, is most of the year in Venice Beach.
Project Credits
Project: Restaurant in Los Angeles, Los Angeles
Client: Richard Gottlieb, Dunes Development
Design Architect: The Los Angeles Design Group, Los Angeles . Claus Benjamin Freyinger, Andrew Holder (co-principals); See Hong Quek, Morgan Starkey, Trenman Yau, Kenji Hattori-Forth, Evan Orf, Jena Meeks, Anthony Chu, Daniel Kwon, Alexander Porter (project designers)
Mechanical Engineer: Salmaan Craig
Structural Engineer: Kewsi Asamoah
Entitlements Strategy: City Land Use
Contractor: Corr Contemporary Homes
Size: 3,000 square feet
Cost: $1.75 million
Read about the other winners of the 65th Annual Progressive Architecture Awards.
Project Description
FROM THE ARCHITECTS:
Restaurant in Los Angeles is a freestanding, two-story, indoor / outdoor restaurant in Venice Beach. It is an unusual commission: our design is on spec for a developer who will eventually find a chef to lease the space and fill it with a concept restaurant. Because it has no permanent envelope – just a sliding / stacking glass screen on the second floor – the project aims to create a sense of place and interior even though occupants are never properly inside the solid mass of the building. (It would be more accurate to say that visitors are disposed around the outside of the building mass.) To make an interior under these conditions, we began with a series of intersecting barrel vaults, using them to define discrete pockets of space where the restaurant could offer different kinds of dining with different degrees of enclosure. The vaults are stacked on top of each other like tables and disarticulated into a series of discrete parts. The effect is to amplify the sense that diners are occupying extremely differentiated, almost private niches in the context of an almost totally outdoor space: some of the tables on the second floor are near the free edge of slab that opens onto a clear expanse of neighborhood; others are tucked away in almost completely enclosed pockets between columns. A secondary effect of the “disarticulated” vault system is to make the building less formal, less object-like, and more contextual. It appears as a casually arranged addition leaning against the casual beach architectures around it. The experience of the building as a series of “niches” and “episodes” is heightened by the construction technique and materiality. The vaults are a composite of masonry and plank-formed concrete. Transitions between the two construction systems are made at the cusps of the groin vaults, so that material is assigned in a series of local “patches” that emphasize discrete pockets of space as opposed to the potentially endless repetitions of the vaulting system. A continuous concrete deck is poured in place atop the vaults like the surface of a table support by legs from below. The kitchen, dishwashing station, office, and bathrooms – all programs required by code to have full enclosure – are housed in a series of “loaves” underneath the vaults. These are shaped to fill the curved volumes of the ceiling plane, as though a mass has been parked in a space that it is tailored specifically for its unique shape. In terms of energy use, the building is designed to take advantage of its own thermal mass. The concrete and masonry systems will produce a “church effect” during the summer, holding down the maximum daytime temperature and re-radiating heat as the air temperature cools after sunset. Fritting on the sliding / stacking glass screens is designed to screen out the rays of the sun during periods of most acute solar gain on July and August afternoons. These passive systems are augmented by a hydronic heating and cooling system embedded in the concrete that will raise or lower the temperature of the mass a few degrees during days – essentially tuning its natural fluctuations so the space of the restaurant remains comfortable even on days with the most extreme hot and cold temperatures.