Cabrillo Bridge

A challenging site requires a skilled lighting strategy to illuminate the gateway to Balboa Park in San Diego.

3 MIN READ
San Diego’s Cabrillo Bridge, which passes over state Route 163, serves as the main gateway to Balboa Park. The illuminated tower of the Museum of Man sits off in the distance.

Steve Lerum Photography

San Diego’s Cabrillo Bridge, which passes over state Route 163, serves as the main gateway to Balboa Park. The illuminated tower of the Museum of Man sits off in the distance.


Originally built in 1914 for the 1915–16 Panama-California Exposition, the Cabrillo Bridge is the main gateway to San Diego’s Balboa Park. For the park’s centennial in 2015, the spandrel-style concrete structure, which measures 769 feet long, underwent a major rehabilitation and seismic retrofit as part of a collaboration between the city and the California Department of Transportation that included a lighting treatment.

Engineering firm CH2M was hired to oversee the lighting; the company, in turn, called on Faith Baum, principal at New Jersey–based Illumination Arts (IA), a lighting design firm known for its expertise with bridges. Baum and IA’s senior designer Elizabeth Johnson embraced the challenges of the project brief and the site—the bridge crosses Cabrillo Canyon, along which runs state Route 163, host to more than 100,000 vehicles a day.

Originally built in 1914 for the 1915–16 Panama-California Exposition, surprisingly, this was the first time in the bridge's history that it had been lit for aesthetic purposes.

Steve Lerum Photography

Originally built in 1914 for the 1915–16 Panama-California Exposition, surprisingly, this was the first time in the bridge's history that it had been lit for aesthetic purposes.

One of the more unusual aspects of the project was that the stakeholders already had an idea of how they wanted the bridge, which is listed on the National Register of Historic Places, to be illuminated: They wanted its façade lit. Baum and Johnson were quick to point out that this wasn’t the only possibility, and doing so would make the bridge appear flat. Using renderings and an elaborate on-site mock-up, the lighting designers showed that they could achieve the client’s desired effect by lighting the undersides of the seven 46-foot-wide arches rather than the bridge face. Lighting the arches would give dimensionality to the structure and its 14 piers, which vary from 60 to 129 feet tall, without interfering with the freeway below or the existing 70W high-pressure sodium streetlights on the bridge above (neither of which were part of the project scope).

A view looking across the site shows how the pairs of luminaires, in their concrete enclosures, are positioned at each pier leg.

Steve Lerum Photography

A view looking across the site shows how the pairs of luminaires, in their concrete enclosures, are positioned at each pier leg.

A section through one end of the site illustrates the steep terrain conditions and the different fixture locations required to create the proper aiming angles to illuminate the bridge arches.

Courtesy CH2M

A section through one end of the site illustrates the steep terrain conditions and the different fixture locations required to create the proper aiming angles to illuminate the bridge arches.

Bridges are one of the few project types that have been ahead of the curve in using LEDs, Baum says. When this project commenced in the summer of 2012, “The [LED] technology we had at the time was ready to do this project,” Johnson says.

The lighting strategy employs a single fixture type, a spotlight, but in two different sizes: 140W for the primary extra-large fixture and 50W for the smaller fixture used at the bridge’s end piers. The mock-up determined a client-preferred color temperature of 3000K. A precise linear spread lens aligns the fixture’s elongated beam with each pier leg. Pairs of fixtures sit at the base of each leg to achieve the cross-lighting effect.

A view of the concrete enclosures, with their access grates, that house the luminaires.

Courtesy Illumination Arts

A view of the concrete enclosures, with their access grates, that house the luminaires.

The lighting strategy employs a single fixture type, a spotlight, but in two different sizes: 140W for the primary extra-large fixture (left) and 50W for the smaller fixture (right) used at the bridge’s end piers.

Courtesy CH2M

The lighting strategy employs a single fixture type, a spotlight, but in two different sizes: 140W for the primary extra-large fixture (left) and 50W for the smaller fixture (right) used at the bridge’s end piers.

As is often the case with complicated lighting projects that appear to have a simple solution, a tremendous amount of behind the scenes work and coordination was involved. Because IA was not going to be on-site for the fixture aiming, Johnson spent a significant amount of time documenting the aiming points for the engineers. She determined the vertical and horizontal tilt for each luminaire so that they would all hit the correct locations on each arch. The slope of the site required a range of vertical aiming angles—from 123 degrees at the shallowest point to 150 degrees at the steepest. And adding to the complexity were the jogging paths that run along the slopes of the canyon. To prevent fixture tampering and to avoid blinding joggers, the designers built a custom concrete enclosure with a cover grate.

Surprisingly, this was the first time the bridge had been lit for aesthetic purposes. The lighting design successfully celebrates the structural form and enhances its nighttime appearance, all while furthering the landmark’s significance for the local community. •


Details
Project: Cabrillo Bridge, San Diego • Client: City of San Diego partnering with California Department of Transportation (CALTRANS) • Original Architect: Thomas P. Hunter (bridge built in 1914) • Engineer (lighting): CH2M, San Diego • Engineer (seismic retrofit): T.Y. LIN International, San Diego office • Lighting Designer: Illumination Arts, Bloomfield, N.J. • Project Size: The spandrel-style concrete bridge has seven 46-foot-wide arches, 14 hollow piers, and measures 769 feet long • Project Cost: $23 million • Lighting Cost: $200,000 • Code Compliance and Watts per Square Foot: Not Applicable

Manufacturer
Lumenpulse: Lumenbeam large and extra-large fixtures used throughout with a narrow-spot beam spread and a linear spread lens

The lighting design highlights the bridge's interior arches giving form to the structure at night.

Steve Lerum Photography

The lighting design highlights the bridge's interior arches giving form to the structure at night.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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