Project

Posted on:

Norton Museum of Art

Foster + Partners

Shared By

dmadsen

Location

1451 S. Olive Avenue


West Palm Beach,

Florida


33401

Client/Owner

Norton Museum of Art

Consultants

  • Other: CBT Architects
  • Structural Engineer: MKA
  • Mechanical Engineer: Bury
  • Other: Gustafson Guthrie Nichol
  • Other: George Sexton Associates
  • Other: Acentech
  • Other: Gardiner & Theobald
  • Construction Manager: Gilbane Building Company

Year Completed

2018

Type

Cultural

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Read ARCHITECT's coverage of the Norton Museum of Art.

Project Description

FROM THE ARCHITECTS (Feb. 6, 2016):

Groundbreaking ceremony held for the new extension at the Norton Museum of Art, Florida.

A gala was held in Palm Beach today on the occasion of the 75th anniversary of the Norton Museum of Art, which coincided with the groundbreaking ceremony for The New Norton. The event was attended by Lord Foster along with Norton Executive Director Hope Alswang, and Norton Board of Trustees Chairman Harry Howell. The New Norton will revitalise and expand the existing museum, adding more galleries and visitor facilities, while restoring the original axial layout of the Museum, set within an exotic Floridian landscape. It seeks to enhance the experience of art by reinforcing the relationship between the building and the landscape and create a new social focus for the community. It also lays the foundations for the future growth of the museum to become one of Florida’s leading cultural institutions.

The Norton Museum of Art in West Palm Beach was built in 1941 to house the art collection of the industrialist Ralph Hubbard Norton and his wife, Elizabeth. The museum was laid out by the architect Marion Sims Wyeth as an elegant series of Art Deco inspired single storey pavilions around a central courtyard. Subsequent expansion broke the symmetry of the original arrangement, and the axial configuration was destroyed by the relocation of the main entrance from South Olive Avenue to the south side of the building. The new masterplan restores the logic of Wyeth’s plan, reasserting the clarity of the main axis, balancing the different building heights and providing flexible, welcoming visitor facilities to attract a wider local and international audience. The masterplan also provides the infrastructure for two additional exhibition wings towards the eastern end of the building to be built in the future.

A new street frontage facing South Dixie Highway to the west redefines the museum’s relationship with its surroundings and reasserts the main entrance on the central axis. The new entrance is signalled by three new double-height pavilions, which mediate between the low-rise galleries and the existing three-storey Nessel Wing, thus unifying the whole composition with a shared palette of manmade white stone. The pavilions house a state-of-the-art auditorium, the Grand Hall, which will be the new social heart for the local community, an event space, education centre, and a museum shop and restaurant that can operate independently of the museum at night. All of these are unified beneath a shimmering canopy, which projects over the entrance plaza creating a new public space. In addition, the new scheme will add 12,000-square-feet of gallery space and is designed to complement the existing building, making it more legible, open and in harmony with its natural setting.

The perimeter of the museum’s expanded grounds is defined by the lush landscape and a row of houses along the southern border of the site as artists’ residences and studios, guest house and research facilities. Taking advantage of the Florida climate, the landscaping of the gardens and central courtyard incorporates native trees and flowers to provide shaded walkways, and a new green lawn. The lawn provides an open-air venue for ‘Art After Dark’, the Norton’s popular evening programme, as well as live performances and events.

Lord Foster, Founder and Chairman, Foster + Partners:
“The new extension of the museum represents an exciting opportunity to place the reinvigorated Norton at the heart of Florida’s cultural life and to establish its international presence, allowing more people to enjoy the museum’s very special collection. Reinforcing its natural setting with a ‘museum in a garden’, our aim has been to restore a sense of clarity to the existing building by reasserting the logic of the original plan; creating new event and visitor spaces that will transform the museum into the social heart of the community; as well as increasing the gallery and exhibition spaces, to engage with a wider audience, both local and national.”

Spencer de Grey, Co-head of Design, Foster + Partners:
“This groundbreaking ceremony marks the moment where the process that began five years ago with the masterplan finally comes to realisation. Our approach at the Norton has been to make art more accessible by dissolving boundaries – whether that is between the building and landscape or art and the viewer. In addition to the increased exhibition areas, The New Norton will feature at its heart the Grand Hall as a new social focus for Palm Beach. We are delighted to be working with the Norton Museum of Art on this project and we look forward to the completion of the museum with great
anticipation.”

Hope Alswang, Executive Director, Norton Museum of Art:
“As the Norton celebrates its 75th anniversary, we applaud founder Ralph Norton’s generosity and foresight, while also looking toward the future. With design development complete, we are excited that the Norton Museum of Art is poised for a remarkable transformation and set to break ground on the Foster + Partners-designed expansion.”

FROM THE ARCHITECTS (December 2013):

Three bold new pavilions, unified beneath a shimmering roof, herald the transformation of the Norton Museum of Art in West Palm Beach – host to the most important art collection in Florida. The masterplan, unveiled by Norman Foster in Miami, allows the museum to almost double its gallery space and lays the foundations for future growth to become Florida’s leading cultural institution.

The first stage of Foster + Partners’ masterplan will establish its key principles: the sympathetic setting of a ‘museum in a garden’, with the original axial arrangement re-established to unify the visitor experience, and the creation of new public facilities. The museum will become a focus for the community with event spaces separate from the Art Museum, strengthening its role as a cultural destination for Florida.

The Norton Museum was founded in 1941 by Ralph Hubbard Norton and his wife Elizabeth Calhoun Norton and was laid out by the architect Marion Sims Wyeth as an elegant series of Art Deco inspired single-storey pavilions around a central courtyard. Subsequent expansion has broken the symmetry of the original east-west axial arrangement, and the creation of an additional car park to the south of the museum has led to the relocation of the main entrance to the side of the building. The new masterplan restores the clarity of Wyeth’s plan by reinstating the main entrance on a new street frontage on South Dixie Highway to the west – visitors will once again be able to see through the entire building via a new, transparent grand hall and refurbished glass and iron courtyard doors.

The new entrance is signalled by three new double-height pavilions, unified with the re-worked existing wing by a shared palette of white stone. The pavilions house a state-of-the-art auditorium, event space and a ‘grand hall’ – the social hub of the museum. The design also includes a new museum shop and a new restaurant with al-fresco garden seating which, like the new pavilion spaces, can operate independently of the museum to activate the campus throughout the day and at night.

A metal roof canopy floats above the pavilions and projects to shade the entrance plaza. The structure is gently tapered to visually reduce its profile, while providing stability to withstand hurricane winds. The canopy’s gentle lustre is designed to cast diffuse patterns of light in an abstracted reflection of people and flowing water below. Linear pools create a tranquil setting for the entrance plaza, masking the sound of traffic, which is visually set apart by a hedge. A curved opening in the roof accommodates the branches of a mature ficus tree and a further light well above the lobby illuminates and defines the new entrance.

The overall proposals reinforce the concept of the museum within a garden. Taking advantage of the Florida climate, the landscaping of the gardens and central courtyard incorporates native trees and flowers to provide shaded walkways, and the former parking lot is transformed into a new sculpture lawn. The borders of the museum’s expanded grounds are defined and integrate a row of houses at the perimeter of the site as an artist’s residence and studio, guest house and research facilities. The new sculpture lawn will provide an open-air venue for ‘Art After Dark’, the Norton’s popular programme of film screenings and events, and is bordered by a glass circulation gallery, connecting the interior with the lush green setting.

The masterplan enables the development of the Norton to be implemented over time, beginning with the reconfiguration and extension of the existing museum to create the landmark Dixie Drive pavilions and the new public amenities within a lush garden setting. This will include two new galleries with state-of-the-art environmental systems, a sculpture gallery and a new education centre. Subsequently, it will be possible to build two new wings for galleries to the east as part of the long-term masterplan.

Lord Foster: “The Norton is one of Florida’s most important cultural institutions and has a wonderful location in the heart of West Palm Beach – our approach is a celebration of the local landscape and architecture. The gardens will be planted with native trees and flowers and the masterplan strengthens the elegant formation of the original museum, redefining its relationship with the city with a welcoming new street frontage. The project combines old and new and continues our explorations into the museum in a garden setting, which began with the Sainsbury Centre and has more recently embraced the Museum of Fine Arts in Boston – it is a fascinating, multi-faced challenge.”
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